Saturday, May 17, 2014

After 25 years on the job, steelworker Lec Holmes is an expert in his field


After 25 years on the job, steelworker Lec Holmes is an expert in his field. But as he helps construct The Church of Jesus Christ of Latter-day Saints’ second temple in Provo, Utah, he admits it’s “not like a typical [construction] job.” Not typical because of its steep pitched roofs (he’s used to square buildings with flat roofs). Not typical because of the unity among the various parties involved in construction (he says “everybody gets along”). Not typical because Mormon temples are built to the highest standards (he notes that workers at the Provo site are “more conscious on the quality of work that's done here”).
Indeed, for those who live near them, the Church’s completed temples are “beautiful” structures, meant to last hundreds of years thanks to their high-quality materials and rigorous building standards.
 


This document explains the process of building a Mormon temple from start to finish. It shows that the creation of these sacred structures is much like the construction of any other building (leaders identify a need and select a site, and architects design and contractors build), but it is also unique in many ways because of the significant role temples play in Latter-day Saint theology.
Funding, Identifying a Need and Selecting a Site
First, it’s important to note that Mormon temples are built using Church funds set aside for that purpose and that the Church pays for the costs without a mortgage or other financing. “We’ve had a long-standing practice in the Church for well over 100 years that we don’t take loans or put mortgages on properties to build temples,” says Elder William R. Walker, executive director of the Church’s Temple Department. “So we would not build a temple unless we could pay for the temple as the temple was built.”
The Church seeks to provide opportunities for Mormons across the globe to access its temples. Eighty-five percent of members live within 200 miles (320 km) of a temple, and temple sites are generally located in areas with enough members (there’s no required number) to warrant construction, or where great distances exist between temples. Public announcements for new temples are usually made by the president of the Church at a general conference. 
Once the decision is made to build a temple in a certain area, the First Presidency then prayerfully chooses the precise spot on which to build — a pattern that has been in place since the Church’s beginnings. For example, soon after entering the Salt Lake Valley in July 1847, Brigham Young identified the block of land on which to build the Salt Lake Temple. And more recently, after the Church announced in 2008 that it would build a temple in Kansas City, Missouri, President Dieter F. Uchtdorf of the First Presidency (at Church President Thomas S. Monson’s request) spent several days visiting many possible sites in the area. President Uchtdorf returned to Salt Lake City and recommended to President Monson the spot where the temple was eventually built.
Bill Williams, who has been a Church architect since 2003, says the Church looks for sites “that would have prominence, be in an attractive neighborhood, a neighborhood that would withstand the test of time.”
Design Phase and the Importance of “Sustainable Design”
After the temple site is selected and the Church determines how large the building should be (based on the number of members in the area), a team of Church architects creates potential exterior and interior designs.
While the purpose of each of the Church’s 140 temples is the same, many aspects of each structure’s inner and outer look and feel are unique, tailored to the local people and area. Williams says good architects "want to create something unique, something that has its own personality, and [Church leaders] allow us to do that” with temples. He adds that much can be done to make a temple unique, including “the decorative motifs, the kind of furniture, the interior accouterments, how articulate it is. It could be anything from the modern look that you see in the Washington D.C. Temple to something like the gothic, neoclassical look that you find in the Salt Lake Temple.”
To create a look and feel that is just right for a specific temple, architects solicit a number of sources. For example, as the Church has designed its future temple in the Democratic Republic of Congo, Williams says his team met with locals to “understand the nature of the people, the country that they live in, the Mormons that are there and how we can better fit the temple” to them.
A critical aspect of the planning process is “sustainable design,” a concept that Williams says seeks to reduce a temple’s long-term operational cost. “Whatever we can do to make the environmental systems, the mechanical systems energy efficient, to make the interior materials have longevity so that they don't wear out straightaway, anything we can do to conserve water, it's great for us as the owner because it makes that long-term cost less. That's what it means to be sustainable.”
And with a temple’s complex systems, sustainability is no easy feat. “We’ve got thousands of systems and components that all have to work in harmony,” says Jared Doxey, the director of architecture, engineering and construction in the Church’s Physical Facilities Department. “And getting everything the way it was designed at the highest quality, it's a very complex maze of issues that have to just be 100 percent right.”
In selecting building materials, the Church settles for nothing but the best. The pattern for this, Elder Walker says, is found in the description of Solomon’s Temple in 1 Kings 7 in the Bible. “They used the finest materials and the finest workmen to build the temple. And that’s the pattern we follow,” Elder Walker says. “Not to be ostentatious, but to be beautiful in a wonderful tribute to God.”
And the role of inspiration is most important to temple design, Williams says. “These are His houses, and we would like to make sure that everybody feels that responsibility, so that when we begin design meetings, we start with a word of prayer.”
The design process can take up to two years, and Elder Walker notes that all along the way — “from architectural detail clear down to colors and carpet swatches” — the First Presidency is involved and provides final approvals.

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